“Cai Guo-Qiang
Selected Bibliography”:

A. Exhibition Catalogues and Related Materials

2006
Captured Wind Arrested Shadow. Taipei: Eslite Gallery.
Head On. Berlin: Deutsche Bank.
Long Scroll. Ottawa: National Gallery of Canada.
Bunker Museum of Contemporary Art, Kinmen Island. Milan: Charta.
Cai Guo-Qiang on the Roof: Transparent Monument. Milan: Charta.

2005
Always A Little Further. Venezia: La Biennale di Venezia.
Cai Guo-Qiang. Edinburgh: The Fruitmarket Gallery.
Cai Guo-Qiang. Valencia: Institute Valencia dfArt Modern.
Cai Guo-Qiang. Warsaw: Zacheta National Gallery of Art.
Dreaming Now. Waltham: The Rose Art Museum of Brandeis University.
(my private) Heroes. Herford: Kerber and MARTa Herford.
Trading Place. Taipei: Museum of Contemporary Art in Taipei.
The Snow Show. London: Thames & Hudson.
Universal Experience: Art, Life and the Touristfs Eye. Chicago and New York: Museum of Contemporary Art, Chicago,
in association with D.A.P./Distributed Art Publishers, Inc.

2004
26a Bienal de Sao Paulo. Sao Paulo: Fundacao Bienal de Sao Paulo.
A Landscape Vision Ayalon Park | Planning Concepts & Design Strategies. Tel Aviv: The Beracha Foundation.
All Under Heaven. Paris: Fondation Guy & Myriam Ullens.
Fondation Cartier pour lfart Contemporain. Paris: Fondation Cartier and Actes Sud.
Man, Eagle and Eye in the Sky. London: Albion/Michael Hue-Williams Fine Art Ltd.
Exposing Cinema. Rotterdam: International Film Festival Rotterdam.
Les 20 Ans du CIAC. 1984-2004. MontreLal: Centre International dfArt Contemporain de MontreLal.
Light Cycle: Explosion Project for Central Park. New York: Asia Society and Creative Time.
Past in Reverse. San Diego: San Diego Museum of Art.
The Snow Show. Finland. Rovaniemi Art Museum.

2003
Alors, la Chine? Paris: Centre Pompidou.
For Your Pleasure. Berkeley: University of California, Berkeley Art Museum.
Happiness. Tokyo: Mori Art Museum.
Pulse: Art, Healing, and Transformation. Boston: Institute of Contemporary Art.
Somewhere Better Than This Place. Cincinnati: Contemporary Arts Center.

2002
An Arbitrary History. Lyon: Musee d’art Contemporain de Lyon
Apparition the Action of Appearing. London: Arnolfini
Cai Guo-Qiang. Trento: Galleria Civica di Arte Contemporanea Trento
Cai Guo-Qiang. Shanghai: Shanghai Art Museum.
Cai Guo-Qiang: Day Dreaming. Shanghai: Yishushihie Magazine.
Cai Guo-Qiang’s CHADO Pavilion - Homage to Tenshin Okakura. Kanagawa: The Hakone Open-Air Museum
Dentsu Artwork Project. Tokyo: Committee of the Board/Division for New Head Office Planning and Development, DENTSU INC.
EV+A 2002 - Heroes + Holies. Limerick: Limerick City Gallery of Art
Kunstwegen. Nordhorn: Stadtische Galerie Nordhorn.
La Biennale de Montreal 2002. Montreal: Contre international d’art contemporain de Montreal
Malerei Ohne Malerei. Leipzig: Museum fur bildende Kunste
Maksimov 1913-1993 - A Master in Chinese Art History (Curated by Cai Guo-Qiang). Shanghai: Shanghai Art Museum
Power of Art. Hyogo: Hyogo Prefectural Museum of Art.
Red Continent - China: Chinese Contemporary Art Exhibition. Gwangju: Gwangju Art Museum
The Galleries Book. London: Royal Academy of Art.
Tokachi International Contemporary Art Exhibition: Demeter. Tokachi: Tokachi International Contemporary Art Exhibition Committee.

2001
Arte All Arte, Siena: Arte Continua Associazione Culturale
Cai Guo-Qiang: Iwaki 99 Towers. Iwaki: Project 99 Operating Committee.
Christie’s 20th Century Chinese Artists. Taipei: Christie’s.
Developing the Collection-Acquisitions 1999-2001. Canberra: National Gallery of Australia
Form Follows Fiction. Turin: Castello di Rivoli Museo d’Arte Contemporanea,
LocusFocus. Arnhem: Stichting Sonsbeek 2001.
Necessity of Relationship. Trento: Galleria Civia di Arte Contemporanea
The 19th Exhibition of Contemporary Japanese Sculpture 2001. Ube City: Exhibition of Contemporary Japanese Sculpture.
The First Velencia Biennial: Communication Between the Arts. Velencia: Generalitat Valenciana.
The Gift. Milan: Edizioni Charta and Palazzo delle Papesse Centro Arte Contemporanea.
Yokohama 2001. Yokohama: The Organizing Committee for Yokohama Triennale.

2000
Christie’s 20th Century Chinese Artists. Taipei: Christie’s.
Echigo Tsumari Art Triennial 2000. Niigata: Echigo-Tsumari Art Triennial Executive Committee.
The Hugo Boss Prize 2000. New York: Guggenheim Museum.
Issey Miyake Making Things. Tokyo: Museum of Contemporary Art, Tokyo.
Lustwarande/Pleasure-Garden. Breda: Fundament.
2000 Biennial Exhibition: Whitney Biennial. New York: The Whitney Museum of American Art.
Asia Collection 50: From the Collection of the Fukuoka Asian Art Museum. Fukuoka: Fukuoka Asian Art Museum
Cai Guo-Qiang. Paris: Fondation Cartier pour l’art Contemporain.
Looking for a Place, The Third International Biennial. Santa Fe: SITE Santa Fe. Outbound: Passages from the 90’s. Houston: Contemporary Arts Museum.
Over the Edges. Gent: SMAK
The Quite in the Land. Bahia: Mueu de Arte Moderna da Bahia
Remain in Naoshima. Naoshima: Naoshima Contemporary Art Museum
Shanghai Biennial 200. Shanghai: Shanghai Art Museum
Wall. Taipei: National Museum of History

1999
Aperto Over All. Venice: 48th Venice Biennial.
Cities on the Move 4. Louisiana Museum of Modern Art. Statements and Catalogue. Louisiana Klubben. 83, January.
Hiriya in the Museum: Artists’ and Architects’ Proposals for Rehabilitation of the Site. Tel Aviv: Tel Aviv Museum of Art.
I Am the Y2K Bug. Vienna: Kunsthalle Wien.
Kunstwelten im Dialog. Cologne: Museum Ludwig Koln.
No Destruction, No Construction–Bombing Taiwan Museum of Art. with brochure and CD-ROM. Taichung: Taiwan Museum of Art.
Zeitwenden. Bonn: Kunstmuseum Bonn.

1998
Cai Guo-Qiang: Day Dreaming. Taipei: Cherng Piin Gallery.
Cai Guo-Qiang: Making Oil Paint Drawings in Rome. Rome: Academie de France a Rome.
Global Vision: New Art from the 90’s Part II. Athens: Deste Foundation.
Inside Out: New Chinese Art. San Francisco Museum of Modern Art and Asia Society Galleries, New York.
Issey Miyake Making Things. Paris: Fondation Cartier pour l’art contemporain.
La Collection de la Fondation Cartier pour l’art contemporain. Paris: Actes Sud and Fondation Cartier pour l’art contemporain.
Louisiana at 40: The Collection Today. Louisiana Revy, Special Issue vol. 38 No. 3. Humlebaek, Denmark: Louisiana Museum of Modern Art
Naoshima’s Comissioned Works: Cultural Melting Bath: Project for Naoshima. Naoshima News, Autumn 1998.
Site of Desire: 1998 Taipei Biennial. Taipei: Taipei Fine Arts Museum.

1997
Cai Guo-Qiang: Cultural Melting Bath: Projects for the 20th Century. New York: Queens Museum of Art.
Cai Guo-Qiang: Flying Dragon in the Heavens. Humlebaek, Denmark: Louisiana Museum of Modern Art.
Cities on the Move. Vienna: Secession.
Future Present Past. Venice: 47th Venice Biennial.
Heart of Darkness. Catalogue for the 1994 Exhibition. Otterlo: Kroller Muller Museum of Contemporary Art.
In Between Limits. Seoul: Sonje Museum of Contemporary Art.
On Life, Beauty, Translations, and Other Difficulties. Istanbul: 5th International Istanbul Biennial.
Promenade in Asia II. Tokyo: Shiseido Gallery.
Performance anxiety. With CD. Chicago: Museum of Contemporary Art.
Wounds: Between Democracy and Redemption in Contemporary Art. Stockholm: Modern Museum Stockholm.

1996
Between Earth and the Heavens: Aspects of Contemporary Japanese Art II. Nagoya: Nagoya City Art Museum.
De rode poort (the Red Gate). Ghent, Belgium: Museum van Hedendaagse Kunst.
The Hugo Boss Prize: 1996. New York: Guggenheim Museum.
Interzones: A Work in Congress. Copenhagen: Kunstforeningen, Upssala: Upssala Konstmuseum, Slottet.
The National and International Studio Artists Program 1995-6. New York: The Institute for Contemporary Art, P.S. 1 Musuem.
Origin and Myths of Fire: New Art from Japan, China, and Korea: The Museum of Modern Art, Saitama.
The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery
Universalis: 23rd International Biennial Sao Paulo. Sao Paulo: Sao Paulo Biennial Foundation.

1995
The 1st Johannesburg Biennial. Johannesburg: Johannesburg Biennial.
Art In Japan Today: 1985-95. Tokyo: Museum of Contemporary Art.
Asiana: Contemporary Art from the Far East. Venice: Fondazione Mudima.
Contemplation: 95 Joong-ang Biennial Special exhibition. Seoul: Ho-Am Art Museum.
Transculture: 46th Venice Biennial. Tokyo: The Japan Foundation and Fukutake Science and Culture Foundation.
1994

Asian Art Now/Creativity in Asian Art Now. Hiroshima: Hiroshima City Museum of Contemporary Art.
Cai Guo-Qiang: From the Pan-Pacific. Iwaki: Iwaki City Art Museum.
Cai Guo-Qiang: Chaos. Tokyo: Setagaya Art Museum.
Calendar of Life. Nagoya: Gallery APA.
Changshen/Fangshen. Catalogue Supplement. Mito: Art Tower Mito.
Concerning Flame. Tokyo: Tokyo Gallery.
Forum Feng Shui. Art Tower Mito Contemporary Art Gallery Document, no.22. Symposium proceedings.
Mito Annual 94: Open System. Mito: Art Tower Mito.
Promenade in Asia. Tokyo: Shiseido Gallery.
Universal Design: Fengshui Project for Mito City. Project prospectus. Mito: Mito Chamber of Commerce & Art Tower Mito.
Well Spring: Messages and Revelations by Contemporary Artists to Animate the Ancient City of Bath. Bath: Bath Festivals Trust.

1993
Cai Guo-Qiang: The Dragon Meridian. Tokyo: P3 art and environment.
Projects for Extraterrestrials No. 14: Horizon–From the Pan Pacific. Project Prospectus. Iwaki.
Silent Energy. Oxford: Museum of Modern Art.
1992
Encountering the Others. Kassel: Projectgruppe Stoffwechsel.
Cai Guo-Qiang: His Work and Thought. A.T.E. Workshop Report, No. 3. Tokyo: NEC and P3 Art and environment.
Das Kunswerk in Zeitwalter seiner Telekommunizierbarkeit. Vienna: Das St/ Veiter FaxArt -Project .
Hapan Ushimado International Art Festival. Catalogue for the 7th-8th Festivals. Japan Ushimado Kokusai Geijutsu-sai Jimukyoku.
Looking for Tree of Life: Journey to the Asian Contemporary Art. Saitama: The Museum of Modern Art.
Topos, Ethos. Kawasaki: IBM Kawasaki City Gallery.

1991
Cai Guo-Qiang: Primeval Fireball–The Project for Projects. Tokyo: P3 Art and environment.
Cross Currents: Bookworks from the Edge of the Pacific. Glendale, California: Umbrella Associates.
Waves of Asia. Tokyo: Tokyo Gallery.

1990
Art Chinoise 1990: Chine Demain pour hier. Aix-en-province, France: Les Domaines de l’Art.
Cai Guo-Qiang: Works 1988/89. Osaka: Osaka Contemporary Art Center.

1989
89 Tama River Fussa Art Exhibition. Tokyo: Tama River Fussa Art Exhibition.

1985
Min Hu qingnian xiandai meishu zhan (Shanghai/Fujian youth modern art exhibition). Fujian Province: Fuzhou City Museum.

B. Books by the Artist

Gunpowder paintings of Cai Guo-Qiang. Guilin:Liang Publishing House 1989.
Project for Extraterrestrial No. 10, Project to Add 10,000 Meters to the Great Wall of China. Tokyo: Peyotoru Kobo, 1994.
Project for Extraterrestrials No. 9, Fetus Movement II. Osaka: Nomart Editions 1992.

C. Books About the Artist

Anderson, Perry. The Origins of Postmodernity. London: Verso, 1998. Cover.
Ando Tadao Architecture Firm. Tadao Ando Museum Guide. Tokyo: Bijutsu Shuppan-Sha, 2001. pp 21.
Bee, Harriet Schoenholz and Heliezer, Cassandra. MoMA Highlights: 350 Works from the Museum of Modern Art, New York. New York: Museum of Modern Art, 2005. p.362.
Building the Collection. Port Melbourne: National Gallery of Australia, 2003, p374.
Charbonneaux, Anne-Marie and Hillaire, Norbert. Euvre et Lieu. Paris: Flammarion, 2002. pp32-34, 228
China Avant-Garde. Berlin: Haus der Kulturen der Welt, 1993. pp. 61.
Clark, John, ed. Chinese Art at the End of the Millennium. Hong Kong: New Art Media Limited, 2000. pp. 182-183. Huang, Du.; pp. 184-189.
Editor. Annual of Chinese Art 2003. Taipei: Art & Collections Inc., 2003. Cover, pp54 & 283.
Editor. Art, Design, and the City: Roppongi Hills Public Art Project 1. Mori Art Museum, 2004. pp. 66-69.
Editor. Cafe in Mito. Art Tower Mito, 2004. pp. 38-39.
Editor. MoMA Highlights: 350 Works from the Museum of Modern Art, New York. New York: The Museum of Modern Art.
Editor. Press Play: Contemporary Artists in Conversation. New York: Phaidon Press, 2005, pp. 64-77.
Fei Dawei. Cai Guo-Qiang. London: Thames & Hudson and Fondation Cartier pour l’art Contemporain, 2000.
Fineberg, Jonathan. Art Since 1940: Strategies of Being. New Jersey: Prentice Hall, 2000, pp. 485-486
Flesche, Felix and Burchard, Christian. Water House. Munich: Prestel Publishing, 2005.
Friis-Hansen, Dana. Cai Guo-Qiang. London: Phaidon Press Limited, 2002.
Fuse, Hideto. The Beginning Is Leonardo da Vinci - Dissecting the Fifty Artists. Tokyo: X-Knowledge, 2005: 231-237.
Gao, Chien-huei. After Origin: Topic on Contemporary Chinese Art in New Age. Taipei: Artist Publishing Co. 2004: pp 310-319.
Gao, Minglu. The Century’s Utopia: The Trends of Contemporary Chinese Avant-Garde Art. Taipei: Artists Publisher, 2001. pp. 245-251
Gentile, John S. and Karen Robinson. Arts in Society: Theatre, Supplemental Textbook. Dubuque: Kendall/Hunt Publishing Company, 2000. pp 55-56.
Getlein, Mark. Gilbert’s Living With Art. 6th Editions. New York: McGraw Hill, 2002. pp 547.
Getlein, Mark. Gilbert’s Living With Art. 7th Editions. New York: McGraw Hill, 2005. p.549.
Goldberg, Roselee. Performance Art since 1960. New York: Abrams, 1998. pp. 60;
Goldberg, Roselee. Performances l’art en action. Paris: Thames & Hudson, 1999. pp. 60.
Helferman, Marvin. City Art: New Yorkfs Percent for Art Program. New York: New York City Department of Cultural Affairs with Merrell Press, 2005.
Honour, Hugh & Fleming, John. A World of Art. London: Laurence King Publishing Limited, 2002. pp 916
Hou, Hanru. On the Mid-Ground. Hong Kong: Timezone 8 Limited, 2002. pp. 54-63, 64-73, 74-89, 92-101
Kantor, Jordan. Drawing from the Modern 1975-2005. New York: The Museum of Modern Art, 2005.
Kastner, Jeffrey and Wallis, Brian. Land and Environmental Art. London: Phaidon, 1998. pp. 132.
Kurabayashi. Listening to Contemporary Art. Tokyo: Skydoor, 1995. Chapter 7.
Lin, Hsing-yu. History of One-Hundred-Year Chinese Oil Paintings: The Great Epic of Art in 20th Century. Taipei: Artists Publishing Limited, 2002. pp. 611-617
Liu, Charles. The Chinese Overseas Art Icons of 100 Years. Taipei: Artist Publisher, 2000. pp 204-205.
Lu, Hong. 1979-1999 Conceptual Arts. 1st Edition. Wuhan: Hubei Education Publisher, 2001. pp33
Maki Yoichi. Chinese Propaganda Art. Tokyo: Iwanami Shoten, 2000. pp. 217, 219-223, 246.
Martinez, Rosa. Landscape Art. Ed. Paco Asenio. Barcelona: ARCO Editorial, 1995. pp. 234-43.
McShine, Kynaston & Umland, Anne. To Be Looked At. New York: The Museum of Modern Art, 2002. pp.138
Obrist, Hans Ulrich, and Guy Tortosa. Unbuilt Roads: 107 Unrealized Projects. Ostfilder-Ruit, Germany: Verlag Gerd Hatje, 1997. pp. 14-15.
Oda Takahiro, Kashiwagi Hiroshi, Tatsumi Takayuki, Notoji Masako, Matsuo Kazuyuki, and Yoshimi Shunfya. USA Today. Tokyo: Tishukan, 2004.
Oliveira, Nicolas De, Oxley, Nicola, Petry and Michael. Installation Art in the New Millennium. London: Thames & Hudson, Ltd., 2003. pp 110
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. 6th Editions. New York: Longman, Inc. pp 500-1.
Preble, Duane, Sarah Preble and Patrick Frank. Artforms. 7th Editions. New York: Longman, Inc, 1999. pp 207.
Sans, Jerome & Sanchez, Marc. What is the Artist’s Role Today? Paris: Palais de Tokyo, 2001. pp. 98
Serizawa, Takashi. Moving Freely on this Planet. Tokyo: Iwanami Shoten, 1996. Chapters on “Jiayuguan” and “Quanzhou.”
Stringa, Nico. Terrecotte Cinesi- dalla 48th Biennale di Venezia. Vicenza: Antiga Edizioni, 2003.
Tanigawa, Mami. Public Art: Japan + Practice. Shanghai: IS Publishing, 2003. p. 78.
Varnedoe, Kirk; Antonelli, Paola; Siegel, Joshua. Modern Contemporary: Art at MoMA Since 1980. New York: The Museum of Modern Art, 2005.
Zhang, Qing. Cai Guo-Qiang. Shanghai: Shanghai Fine Arts Publisher, 2002.
Zhang, Zhaohui. Where Heaven and Earth Meet: Xu Bing & Cai Guo-Qiang. Beijing: Time Zone 8, 2005.

D. Articles by the Artist

“Light as an Important Method in Revealing Artistic Concepts.” Meishu Shilun [Art History and Theory] (Beijing), Spring 1986: 94-104.
“Officers and Soldiers Alike Watching the Battle Field.” China News Weekly (Beijing) 18 Nov. 2000: 10-11.
“On Thought and Action.” Contemporary Art Symposium 1994: The Potential of Asian Thought. Tokyo: The Japan Foundation, 1994: 94-95, 127-129.
“Some Thoughts on Asia.” Chi No Shio (Kobe), 1 June 1992: 8-9
“What Does Cai Guo-Qiang Say?” Wenyi Bao (Beijing) 20 July 2000: 1.
“Words at Random.” Tendency (Boston) No. 13 2000: cover, 354-361.
“Young Art of Asia-Concepts for the Liutsuang International Art Exhibition.” ARTnews (New York), Dec. 1989: 110-114.
“Young Art In Japan-Thoughts on Japan Ushimado International Art Festival.” Artist (Taipei), Dec. 1989: 110.
Cai Guo-Qiang, Kamata Toji, and Takamata Hitoshi. “What is Feng Shui? Environmental Theory that Joins Heaven, Earth and
Human.” Front (Tokyo), 7 Feb. 1994: 4-5, 9-17.
Cai Guo-Qiang and Kobayashi Kenji. “Deeper, Larger and Further.” Bijutsu Techo (Tokyo), Jan. 1992: 12-19
Cai Guo-Qiang and Takami Akihiko. “From Beijing.” Bijutsu Techo (Tokyo), May 1989: 130-132.
Cai Guo-Qiang and You Jindong. “Painting with Gunpowder.” Leonardo (San Francisco) no. 3, 1998: 251-254.
Cai Guo-Qiang. “Confessions on Collecting Maksimov” Avant-Garde Today (Tienjin) no.10, 2002: 181-187
Cai Guo-Qiang. gLetters to a Young Artist.h Art on Paper (USA) July-August, 2005: 40.
Cai Guo-Qiang. gLaos: Influence: Today and Tomorrow.h Art Asia Pacific (USA) Almanac 2006-2006: 111.
Editor. “Talking with the Artist, No. 1.” Lively Art: Asian Contemporary Art, Report no. 1. Bijutsu Nenkansha (Tokyo), 1994: 47-55.
Interview by Dematte, Monica. “The Art of Catching the Void. Work (Trento) No. 3, 2002: 14-15
Interview by Gu Cheng Feng. “Don’t Overestimate Ourselves” Jiang Su Art Monthly (Nanjing). Apr. 2002: 44-46
Interview by Jiang, Mei. “I Always Jump In Between East and West, Globalization and Localization” Artists (Taipei) Apr. 2002
Interview by Jiang, Mei. “Interview with Cai Guo-Qiang.” Shanghai Art Museum Fellowship (Shanghai). Feb. 2002.
Interview by Lo Ron, “A Repeated Artistic Process” Design Trend (Shanghai) No. 5/6, 2001: 120-126
Interview by Bernd Busch. “Auf der Suche nach der Ewigkeit im Ephemeren” Feuer, 2000: 586-600
Interview by Editor. “Cultural Infusion Project for the New Century.” Bijutsu Techo (Tokyo) Jan. 2001: 68-73.
Interview by Fang Zhenning. “High Tech Operating Shanghai APEC Cityscape Fireworks.” Artist (Taipei) Nov. 2001: 469-471.
Interview by Gao Minglu. “Residue of Gunpowder Explosions.” Dushu (Beijing), Sep. 1999: 87-93.
Interview by Dora Han. “Cai Guo-Qiang on ‘Performance’ in Art.” Dialogue architecture+ design+ culture (Taipei). Sep. 1998: 126-33.
Interview by Claudia Jolles. “Kunstler sind wie Kung-Fu-Kampfer.” Kunstbulletin (Stafa), Apr. 1997: 12-17.
Interview by Kono Yuichi. “Cai Guo-Qiang: the Palette of Light that Shoots Across the Sky. UR (Tokyo), Mar. 1993: 5-48
Interview by Jerome, Sans. “Het vuur aan de lont” Kunst Nu (Gent) Feb./Mar., 2003: 5-13s
Interview by Serizawa Takashi. “A Meridian Running Beyond Borders.” Bijutsu Techo, June 1993: 121-128.
Interview by Xu Pan. “Cai Guo-Qiang: Art Can Be Reckless.” Ch ina News Weekly (Beijing) 2 Dec. 2000: 16-19
Text. Masato Kobayashi: A Son of Painting [catalogue published by Stedelijk Museum voor Actuele Kunst Gent] (Gent) 2001: 49

E. Articles about the Artist and Exhibitions

2006
Editor. gCai Guo-Qiang.h O Platinum (USA) June 2006.
Goodbody, Bridget. gOutside Chance.h Time Out New York (USA) May 4, 2006.
Ji, Tao. gArtwork in Explosions.h China Daily (China) May 20-21, 2006.
Lhamo, Rinchen. gCai Guo-Qiang: Inopportune.h THE (USA) April 2006.
Murata, Nobuko. gInterview with Cai Guo-Qiang.h COOL Magazine (USA) April 2006.
Riding, Alan. gAt Last, Luxembourgfs Modern Art Museum.h The New York Times (USA) July 8, 2006.
Serizawa, Takashi. gLike a Small Child Building Firecrackers.h ART iT (Japan) Spring/Summer 2006: 30-47.
Shaughnessy, Jonathan. gAn Explosive Exhibition.h Vernissage (Canada) Summer 2006: 18-21.
Smith, Roberta. gForecast: Cloudy, With a 50% Chance of Sculpture.h The New York Times (USA) April 25, 2006.

2005
A.C.G. gCai Guo-Qiang.h Arte y Parte (Spain) No. 56, April-May 2005.
Allen, Jane Ingram. gTaipeifs Bunker Museum.h Public Art Review (USA) Spring-Summer, 2005: 56-57.
Anderson, PJ. gSmoke Signal Man.h Metro (UK) Jul. 29, 2005: 25.
Aspden, Peter. gTropical Lagoon: The Chinese are Among Newcomers Addressing the State of Their Nations at the Venice Biennale.h Financial Times Magazine (UK) Jun. 18, 2005: 34-35.
Bergeron, Chris. gWaking Dreams.h The Daily News (USA) March 6, 2005: C1, C10.
Boyce, David B. gBrandeis Gallery Hosts Provocative eDreamingf Exhibit.h Sunday Standard-Times (USA) March 13, 2005.
Burnet, Andrew. gMaster of Black Art Who Prays for a Bright Sky.h Sunday Times (UK) Jul. 24, 2005.
Campbell-Johnston, Rachel. gChinese Fireworks.h The Times (UK) Jun. 8, 2005: 14-15.
Carrier, David. “Reviews: Cai Guo-Qiang: MASS MoCA.” Art Forum (USA) February 2005:116-117.
Chan, Aric. gArt Crawl.h Hint (USA) June, 2005.
Chan, Aric. g50+1 The Venice Biennale Now and Tomorrow.h Zoo Magazine (Germany) No7 2005: 44-45.
Chen, Li Shu. “Cai Guo-Qiang Donate US$10,000 for Next Year’s Children’s Exhibition.” Kinmen Government News (Taiwan) Jan. 24, 2005.
Chen, Yuan. gChina Pavilion Debut in Venice Biennale.h Century Online China Art Networks (China) Jun. 4, 2005.
Chonjnacka, Zofia. gCai Guo-Qiang.h CafeL (Poland) June, 2005.
Chou, Mei-hui. gPremature Bamboo Shoots, Difficult to become Dragon Dares Tiger Lair.h United Daily (Taiwan) Jun. 16, 2005: C6.
Chu, Weiyi. gContemporary Art Museums: Factories Turned into Palaces.h World Journal (USA).
Cornwell, Tim. gFestival Sees City Galleries Join Forces for Artfs Sake.h The Scotsman (UK) Jun. 3, 2005:
Dai, Yen-hui. gBamboo is not a eChinese Cardf Interview with Yung Ho Chang.h East Morning Post (China) Jun. 13, 2005.
Davies, Serena. gI Can Singe a Rainbow.h The Daily Telegraph (UK) Jul. 9, 2005: 6.
Dorment, Richard. gThe Star Pavilions.h The Daily Telegraph (UK) Jun. 15, 2005: 17.
Edgers, Geoff. gPerchance To Dream.h The Boston Globe (USA) February 5, 2005: C15-16.
Editor. “Cai Guo-Qiang: Traveler.” Sculpture (USA) January/February 2005: 12.
Editor. “Exploding Antique Currency, Auctioning on Shopping Network: Cai Guo-Qiang Transforming Exploding Currency into Art-Making.”
World Journal (USA) Mar. 20, 2005: B5.
Editor. “2004 Voted Top Ten Taiwan Art News.” Artist (Taiwan) January 2005: 162-165,180,183,189-190.
Editor. “Cai Guo-Qiang’s large-scale solo-exhibition at MASS MoCA Reflecting World’s Insecurity.” Artist (Taiwan) January, 2005: 148.
Editor. gGo! Ahead.h Boston Sunday Globe (USA) March 6, 2005.
Editor. “51st Venice Bienniale.” Flash Art (USA) May-June, 2005: 71-73.
Editor. “China Pavilion at Venice Biennale.” Artnet (Internet) Apr. 21, 2005.
Editor. gHook, Line and Sinker.h ArtReview (UK) June-July, 2005: 74-77.
Editor. gLetters to a Young Artist.h Art on Paper (USA) July-August, 2005: 12, 32-33, 40.
Editor. gDzis W Galerll Zacheta.h Metropol (Poland) Jun. 17-19, 2005: 15.
Editor. gBlack Rainbow.h United Daily (Taiwan) May. 21, 2005: C6.
Editor. gCultural Firmament.h China Daily (China) Jun. 11, 2005: 9.
Editor. gOriental Touch to Venice Biennale.h China Daily (China) Jun. 11, 2005: 9.
Editor. gVenice: Why Go Now?h Royal Academy Magazine (UK) Summer, 2005.
Editor. gVirgin Garden: Emersion.h Ciaroscuro (UK) June | July, 2005.
Editor. gNorthern Lights.h Royal Academy Magazine (UK) Summer, 2005:22.
Editor. gChinafs First National Pavilion Since 110 Years.h Shenzhen Special Zone Daily (China) Jun. 14, 2005.
Editor. gChina Pavilion Debuts in 51st International Art Exhibition: La Biennale di Venezia.h China Culture (China) Jul. 5, 2005.
Editor. gChina Pavilion at 51st Biennale di Venezia: Virgin Garden: Emersion.h Universe in Universe (USA) June, 2005.
Editor. gArt Worldfs eOscarf Exposed.h Xin Hua Net (China) Jun. 11, 2005.
Editor. gBelated China Pavilion at Venice Biennale.h China News Weekly (China) Jun. 13, 2005.
Editor. gModern Art Notes.h Arts Journal (USA) Feb. 18, 2005.
Editor. gMarketfs New Love: Chinese Contemporary Art.h World Journal (USA) Jul. 9, 2005: A7.
Editor. gBest in Show.h The Guardian (UK) Jul. 14, 2005: 11.
Editor. gBlack Rainbow Explosion.h The Herald (UK) Jul. 23, 2005: 22
Editor. g7 Days.h Seven Days (UK) Jul. 24, 2005.
Editor. gTop Shows at the Galleries.h Scotland on Sunday (UK) Jul. 24, 2005.
Editor. gArt Cai Guo-Qiang.h Metro (UK) Jul. 25, 2005.
Editor. gCai Guo-Qiang: Life Beneath the Shadow.h The Times (UK) Jul. 27, 2005: 15.
Editor. gTalk Cai Guo-Qiang.h Metro (UK) Jul. 27, 2005.
Editor. gArt Going Up with a Big Edinburgh Castle Bang.h The Scotsman (UK) Jul. 28, 2005.
Editor. gBlack Arts Over The Castle.h Edinburgh Evening News (UK) Jul. 30, 2005: 1.
Editor. gSmoke Signals.h The Herald (UK) Jul. 30, 2005: 2.
Editor. gTop Choice.h ArtReview (UK) July 2005.
Editor. gThe Game of Life.h Adbusters (Canada) July-August, 2005.
Editor. gNorthern Lights.h RA Magazine (UK) Summer, 2005: 22.
Editor. gVirgin Garden: Emersion.h ART iT (USA) Summer 2005: 73.
Emslie, Katie. gChinese Artist to Create Gunpowder Pictures for City Show: Paranormal Portraits are a Blast from Past.h Evening News (UK) Jun. 14, 2005: 16.
Fang, Zheng-nin. gBelated China Pavilion in Venice.h American Times (China) Jun. 10-16, 2005: B5.
Fang, Zheng-nin. gVenice Virgin Garden Emerses in China Pavilion.h The Economic Observer Lifestyle Monthly (China) Jun. 27, 2005: 14-15.
Feitelberg, Rosemary. gGuo-Qiang Seems No Pot of Gold.h WWD Friday (USA) Apr. 29, 2005: 18.
Gao, Yin. gChinese Contemporary Art eEmersionf in Venice.h Xin Hua Net (China) Jun. 13, 2005.
Glueck, Grace. “The Cars Aren’t Really Exploding, but the Terrorist Metaphor Is.” The New York Times (USA) Feb. 18, 2005: E33, E39.
Goodbody, Bridget. gThe Big Picture: No Introductions Necessary.h ArtAsiaPacific (USA) Summer, 2005: 42-45.
Greenberg, Sarah. gNew Chinese Art, Seeing Red.h The Economist (UK) Jun. 25 - Jul. 1, 2005: 84-85.
Gross, Matt. gBunker Museum Made Permanent.h ARTnews (USA) June, 2005: 80.
Harrison, Eddie. gArts News.h Metro (UK) Jun. 7, 2005: 21.
Henry, Claire. gThe Art of Living Dangerously.h Financial Times (UK) Jul. 26, 2005.
Henry, Claire. gAnd Now for My Big Bang Theory.h The Scotsman (UK) Jul. 20, 2005.
Higgins, Charlotte. gVenice Diary: Mix of Feng Shui and Prosecco.h Guardian (UK) Jun. 11, 2005.
Ho, Heather. “Cai Guo-Qiang: from ‘Unlucky Year’ to MASS MoCA ‘Inopportune.’” CANS (Taiwan) January 2005.
Huang, Bao Ping. “Tan Dun Visual Music Across the Borders.” Min Shen News (Taiwan) Apr. 5, 2005.
Huang, Bao-ping. gChina Pavilion Reveals the 110 Years Belated Event.h Min Shen News (Taiwan) Jun. 11, 2005: A12.
Huang, Bao-ping. gChina Pavilion.h Artist (Taiwan) July, 2005: 264-5.
Huang, Hai-ming. gTrading eTrading Place: Museum of Contemporary Art.fh Artist (Taiwan) July, 2005: 422-7.
Irirarte, Maria Elvira. “26th Sao Paulo Biennial: Free Territory.” Art Nexus No. 55, Volume 3 (USA) 2005: 78-84.
Jeffrey, Moira. gDonft Miss Edinburgh Art Festival: the capitalfs galleries are united as an exciting series of exhibitions kicks off with a bang.h The Herald (UK) Jul. 28, 2005: 3.
Jeffrey, Moira. gLighting Up the Darkness.h The Herald (UK) Jul. 29, 2005: 21.
Jones, Sarah. gArtist Blows Cover with Gunpowder Plot.h Scotland on Sunday (UK) Jul. 24, 2005.
Jones, Sarah. gLeading the Mystery Tour.h Scotland on Sunday (UK) Jul. 24, 2005: 9.
Kahn, Howie. “They Can Take The Heat.” ARTNews (USA) January 2005: 32.
Kane, Elena. gWhatfs Happening in Venice.h Contemporary 21 (UK) No74 2005:12-17.
Kaufman, Jason. gChina Has Its First National Pavilion, After the Setbacks of SARS in 2003.h The Art Newspaper (USA) June, 2005.
Kendzulak, Susan. “Harald Szeemann’s Chinese (and Taiwanese) Legacy.” Pots No. 353 (Taiwan) Apr. 1, 2005.
Kimmelman, Michael. gA Global Village Whose Bricks Are Art.h The New York Times (USA) Jun. 16, 2005: E1, E7.
Kinetz, Erika. “Doing Business Close to the Edge.” International Herald Tribune (USA) Feb. 5-6, 2005: 14.
Kowalska, Agnieszka. gWybuchh W Ulewnym Deszczu.h Gazeta Swiaeczna (Poland) Jun. 18-19, 2005: 3.
Kowalska, Agnieszka. gPod Czerwonym Sztandarem.h Gazeta Wyborcza Co Jest Grane (Poland) Jun.17-23, 2005: Cov, 25.
Kowalska, Agnieszka. gChinczyk Spali Czerwony Sztandar.h Gazeta Wyborcza (Poland) June 14, 2005: S1, S8.
Lee, Danni. “Tan Dun Playing Visually, Cai Guo-Qiang as the ‘Green Leaf’” South China Morning Post (China) Apr. 18, 2005.
Leffingwell, Edward. “The Extraterritorial Zone: The 26th Sao Paulo Bienal Featured an indoor sculpture garden and a curatorial concept of ‘image smuggling’ between cultures.”
Art in America (USA) February 2005: 48-55.
Livadiotis, Christina. gBlown Up over the Edinburg Festival.h Art Fair International (UK) July | August, 2005: 21.
Maddocks, Phil. gMake It a Date in the Dream Bed.h Natick Bulletin & Tab (USA) February 25, 2005.
Madoff, Steven Henry. gVenice, Worldfs Gallery Once More.h Philadelphia Inquirer (USA) Jun. 26, 2005.
Malkowska, Monika. gEksplozja Czerwonego Sztandaru.h Rzeczpospolita (Poland) Jun. 18-9, 2005.
Marks, Peter. gChina Overature.h The Washington Post (USA) Oct. 2, 2005.
Marshall, Alex. gCai Guo-Qiang.h Flux (UK) July-August 2005: 76-77.
Martel, Ned. gArtists Defying Labels Just by Speaking About Art.h The New York Times (USA) Sept. 15, 2005.
NM. gCai Guo-Qiang: Life Beneath the Shadow.h Modern Painters (USA) October 2005: 123.
Overcash, Shawn. “Playing with Fire.” Unity: Celebrating Food, Art & Culture (USA) May 2005: Cov, 3.
Pearson, Louisa. gTop Shows at the Galleries.h Scotland on Sunday Magazine (UK) Jul 24, 2005.
Peng, Catherine. gChinafs Virgin Garden in Venice.h Beijing Today (China) June 24, 2005.
Pollack, Barbara. “Enter the Dragon: Cai Guo-Qiang Breathes New Fire Into Venice.” Modern Painters (UK) June, 2005: 80-83.
Qiang, Qian. gArtwork Exploded from Gunpowder.h Global Times (China) Nov. 2, 2005: 18.
Qiu, Zhili. “Tan Dun Vs. Cai Guo-Qiang: A Beginning of a Charismatic Art Era.” Youth Daily (China, Internet) Apr. 17, 2005.
Querol, Nuria. “Bunker Museum of Contemporary Art.” Exit Express (Spain) December 2004/January 2005: 28-29.
Robinson, Walter. “China Pavilion at Venice Biennale.” Artnet (Internet) Apr. 21, 2005.
Rose, Gareth. gExplosive Start to Arts Festival.h Evening News (UK) Apr. 19, 2005.
Rose, Hilary. “Art in a Cold Climate.” London Times Magazine (UK) Mar. 12, 2005: 3, 28-32.
Rosenthal, Norman. “Rising in the East.” Art + Auction (USA) March 2005: 60, 62.
Ruben, Josh. gCai Guo-Qiang: Inopportune.h Cool Hunting (USA) Mar. 2, 2005.
Schiff, Von Hajo. gMarco Polos Erzahlungen.h Die Tageszeitung (Germany) Jul. 2, 2005.
Schirasaka, Yuri. gCurator Interview 6: Azumaya Takashi.h ART iT (USA) Summer 2005: 96-99.
Spiegel, Brad. gIf You Can Get To Sleep, Your Dreams May Become Art.h The Daily News Tribune (USA) February 25, 2005: A1, A14.
Sudjic, Deyan. gTea and Flying Saucers.h Observer (UK) Jun. 18, 2005: 14.
Temin, Christine. gBeds, Bodies, and Beyond: A World of Dreams.h The Boston Globe (USA) April 13, 2005.
Tsai, Chia-Yin. gCai Guo-Qiang: Good Art is a Physical Need.h Madame (Taiwan) May, 2005.
Vine, Richard. gTaiwanfs New Bunker Museum.h Art in America (USA) June-July, 2005: 49.
Vogel, Carol. “A Wider Scope in Venice.” The New York Times (USA) Apr. 1, 2005.
Vogel, Carol. gChristiefs Going, Going to China to Hold Auctions.h The New York Times (USA) Oct. 20, 2005: E1, 8.
Wang, Shen. “Tan Dun and Cai Guo-Qiang: Talking? Showing Off?” Dushi Kuaibao (China) Apr. 17, 2005.
Westcott, James and Kleiman, Molly. gVenice Virgins: First-time Nations at the Biennale.h Art Fairs International (USA) June, 2005.
Wu, Peng. “Tan Dun, Cai Guo-Qiang Wu Shang Debate.” Jie Fung Daily (China) Apr. 17, 2005.
Wullschlager, Jackie. gOld and New in the City of Pageantry.h Financial Times (USA) Jun. 15, 2005: 11.
Yang, Andrew. “The Art of War.” Metropolis (USA) April 2005: 29-30.
Yang Qingquan. gChinese Culture Tornado Hits Washington DC.h Can Zheng News (China) Oct. 6, 2005: 9.
Yu, Shan Shan. “Cutting into the “Inopportune” of Our Times.” ARTCO (Taiwan) February 2005: 132-134.
Zhou, Tao. gFirst China National Pavilion After 110 Years.h Hang Zhou Net (China) Jun. 10, 2005.
Zibart, Eve. gEats Meets West.h The Washington Post (USA) Sep. 30, 2005: 36.

2004
Aarsaether, Paal. “Frozen Today, Gone Tomorrow: Cool Artists Sculpt Ice in Finnish Lapland.” Sarawak Tribune (Malaysia) Mar. 1, 2004.
Amado, Guy. “O papel do Artista nas Mostras Internacionais.” Bien Art (Brazil) December 2004: 18-21.
AP. “Cai Guo-Qiang Gunpowder Explosion: Making Drawing for Washington DC.” World Journal (USA) Oct. 29, 2004.
Beaud, Marie-Claude. “Su-Mei-Tse: The Sounds of Her Music.” Art Press (France) November 2004: 38-41.
Berwick, Carly. “Playing with Fire: Some of Cai Guo-Qiang’s Pieces are Choreographed Pyrotechnics, While Others are about the Ones that Failed.” ArtNews (USA) November 2004: pp. 122-123.
Bonenti, Charles. “Violent Beauty: The Explosive Art of Cai Guo-Qiang.” The Berkshire Eagle (USA) Dec. 10, 2004: Weekend: Cover, D1, D2.
Brittain-Catlin, Thomas. “The Iceman Cometh.” World of Interiors. December 2004: 108-115.
Buckley, Chris. “Artists Bridge the Taiwan Strait With Paint and Bamboo.” The New York Times (USA) Oct. 5, 2004: International.
Celant, Germano. “The Snow Show.” Lotus International (Italy) November, 2004: Cover, 84-93.
CHAI Editorial Department. “Cai Guo-Qiang” CHAI (Japan) February 2004: 82-90.
Dawson, Jessica. “Cai Guo-Qiang’s Ship has come in at Sackler.” The Washington Post. (USA) Nov. 14, 2004: N08.
Dawson, Julia. “The Snow Show.” The Architectural Review (UK). April, 2004: 22-23.
Dean, Jason. “Bridging the Divided With Art.” The Asian Wall Street Journal (Asia) Sep. 13, 2004: A2.
Dean, Jason. “Art show Bridges Chinese Divide on Taiwan Strait.” The Wall Street Journal (USA) Sep. 15, 2004.
DeFerrari, Gabriella. “Finnish Follies.” Travel& Leisure. (USA). Feb 2004: 54.
Editor. “Art Fills Disused Shelters.” The Guardian (UK) Sep. 14, 2004: 60P.
Editor. “Art Replaces War.” Res Alert (Internet) August 6, 2004.
Editor. “Art Replaces War in Cai Guo-Qiang’s Bunker Museum of Contemporary Art.” Arts4All Newsletter (Internet) September 2004.
Editor. “Cai Guo-Qiang’s Exhibition at Smithsonian Institution.” Artists (Taiwan) October 2004.
Editor. “Cold War Base to Become Bunker Museum.” Flash Art Online (Internet) Aug. 3, 2004.
Editor. “Kinmen Bunker Museum Opens.” China Post. (Taiwan)
Editor. “Kinmen Bunker Museum: Using Art to Cool Down War.” World Journal (USA) Sep. 11, 2004: B4.
Editor. “How Kites Became Art in the Desert Skies.” The Daily Telegraph (London) Feb. 14, 2004.
Editor. Sotheby’s: Chinese Contemporary Art (Hong Kong) October 31, 2004: 72-73.
Editor. “Taiwan.” The Art Newspaper (USA) September 2004.
Editor. “The Snow Show.” Sculpture. Vol.23, No.2 (USA) Mar. 2004.
Editor. “Painting Chinese Landscape Painting in the Sky.” La Vie (Taiwan) November, 2004: 33.
Editor. “News Brief.” Public Art Review (USA) Fall/Winter, 2004: 52.
Editor. “Explosion/Art.” PIA Mook (Japan) December 10, 2004: 84.
Editor. “A arte Chinesa do bunker ao estrelato: Cai Guo-Qiang.” Bien Art, (Brazil) November, 2004: 34.
Editor. “Inopportune: Cai Guo-Qiang Opening Miracles in Massachusetts.” United Daily (Taiwan) Dec. 12, 2004.
Editor. “Cai Guo-Qiang Opens New Works in MASS MoCA.” iBershires.com (Internet) Dec. 1, 2004.
Editor. “Cai Guo-Qiang: Inopportune.” Asia Art Archive (Internet) Dec. 11, 2004.
Editor. “Cai Guo-Qiang: Inopportune.” AbsoluteArts.com (Internet) December, 2004.
Editor. “Cai Guo-Qiang: Inopportune at MASS MoCA.” NonstarvingArtists.com (Internet) Dec. 13, 2004.
Editor. “Inopportune.” Metroland (Internet) December, 2004.
Editor. “Mass MoCA Presents Inopportune by Cai Guo-Qiang.” ArtDaily.com (Internet) Dec. 14, 2004.
Editor. “Cai Guo-Qiang’s Bon Voyage Pierced with Weapons, Reflecting Today’s Society’s Fear of Terrorism.” Gmw.cn (Internet) Oct. 22, 2004.
Editor. “Cars Tumble in Dramatic MoCA Exhibition.” Berkshires Week (USA) Dec. 9, 2004: C1,C3.
Editor. “Itinerary: Kinmen Island: Bunker Museum of Contemporary Art.” Sculpture (USA) December, 2004: 14.
Editor. “News and Around: Cai Guo-Qiang.” Tema Celeste (USA) November-December, 2004: 121.
Editor. “Best of 2004: Memorable Moments.” The Washington Post (USA) Dec. 31, 2004: 30-31.
Emery, Alonzo. “Bunker Mentality.” South China Morning Post (China) October 24, 2004: 7.
Ferreira, Juca. “Arte para Todos.” Bien Art (Brazil) December 2004: 61-62.
Frazier, David. “Kinmen’s Bunker Museum: The Bogglng Union of 1.4M Bombs, 2000 Bunkers, and the World’s Art Elite.” Pots Extra (Taiwan) 9/17-26, 2004.
Frazier, David. “Make Art, Not War.” Far Eastern Economic Review (Hong Kong) Oct. 14, 2004: 61.
Gao, Minglu. “Cai Guo-Qiang.” Christie’s 20th Century Chinese Art & Asian Contemporary Art (Hong Kong) Oct. 31, 2004: 128-130.
Gluck, Caroline. “Swords into Art on Taiwan.” International Herald Tribune (USA) Sep. 15, 2004: Art.
Goodbody, Bridget. “The Peace Process.” ArtReview (UK) November, 2004: 10, 90, 91, 104-107.
Grater, Abigail. “White Wedding.” Art+Architecture. (UK) May/June 2004: 112-113.
Greenberg, Sarah. “Bunker Museum of Contemporary Art.” Royal Academy (UK) Autumn, 2004: 29.
Gurewisch, Matthew. “An Art Show That Will Leave You Cold.” The Wall Street Journal (USA) Feb. 18, 2004.
Hannon, Gerald. “Snow Job Frisson Garantis?” En Route (Canada) Jan. 2004: 56-58.
Ho, Cathy Lang. “Ice House” Architecture (USA) April 2004: 28.
Hontebeyrie, Isabelle. “Bunkers Become Museums.” Miss-Information (Internet) Sep. 15, 2004.
Hsieh, Chao Zung. “Cai Guo-Qiang: Inopportune Solo Exhibition Opening at Mass MoCA” World Journal (USA) Dec. 17, 2004.
Hsueh, Hungfu. “Exhibit Addresses Issues of Peace, War.” Taiwan News (Taiwan) Sep. 15, 2004.
Hsueh, Hungfu. “Kinmen Bunkers Turned into Museum.” Taiwan News (Taiwan) Sep. 12, 2004: 2.
Hsueh, Hungfu. “Kinmen Art Exhibition Sparks Local Backlash.” Taiwan News (USA) Sep. 16, 2004.
Huebner, Jeff. “In Cold Snow.” Public Art Review. (USA) Fall/Winter, 2004: 17-19.
Itoi, Kay. “Art Among the Armor.” Newsweek International (USA) Aug. 30, 2004: 7.
Itoi, Kay. “Art Among the Bunkers.” Newsweek (Japan) Oct. 16, 2004: 70.
Itoi, Kay. “Report from Taiwan.” Artnet (Internet) Oct. 1, 2004.
Kendzulak, Susan. “Curating 101″ Pots (Taiwan) Sep. 10-19, 2004: 20.
Kendzulak, Susan. “Kinmen Bunker Museum Ready for an Art Blast.” Taipei Times (Taiwan) Aug. 8, 2004: Art 19.
Kendzulak, Susan. “Make Art, Not War.” Taipei Times (Taiwan) Sep. 19, 2004.
Kendzulak, Susan. “Taiwan Strait: Bunker Museum.” Flash Art (USA) October, 2004: 54.
Kendzulak, Susan. “Bunker Museum” Flash Art (USA) November-December, 2004: 43.
Kenzulak, Susan. “Bombs Away! Cai Guo-Qiang’s Bunker Museum of Contemporary Art.” Yishu. December 2004: cover, 44-51.
Knight, Christopher. “In an uneven Survey of New East Asian Art, What Stands Out is the Full-Throttle Transformation of China.”
Los Angeles Time (USA) Dec.12, 2004.
Lee, Si Hsien. “Why Go To Kinmen to See BMoCA?” ARTCO (Taiwan) December, 2004: Cover, 111-113.
Lloyd, Ann Wilson. “‘Scuse Me While I Paint the Sky” The New York Times (USA) Oct. 24, 2004: AR4.
Lloyd, Ann Wilson. ” Art That Goes Boom” Smithsonian Magazine (USA) November, 2004: 6, 112-116.
Loh, Ying. “Cai Guo-Qiang: Inopportune Opens” Sing Tao Daily (USA) Dec. 12, 2004: B2.
Lu, Ella. “SCOPE: Battlefield Kinmen Reborn as Bunker Art Museum.” Kyodo News on the Web (Internet) Sep. 21, 2004.
MacLeod, Helen. “Treasure Island: Subtracting the Art from Artillery on Taiwan’s Remote, Wounded Outcrop.” The New York Sun (USA)
October 1-3, 2004: Weekend Edition.
Marcout, Laurence. “Le Bunker, apres le Bombes.” Taiwan au Jourd’hui (Taiwan) October, 2004: 44-47.
McGuirk, Justin. “Marble Dust Crunches Underfoot, Frost in Forming.” April 2004.
Milar, Bruce and Tom Dyckhoff. “In a Winter Wonderland.” London Times (UK) Feb. 10, 2004.
Monachesi, Juliana. ” A Arte Chinesa Do Bunker Ao Estrelato.” Bien Art (Brazil) November 2004:34-35.
Moreira, Marta. “La Polvora como Vanguardia Artistica” ABC (Spain) July, 4th, 2004: 56-58.
Nichols, Matthew Guy. “Cai Guo-Qiang at Central Park & the Asia Society - New York.” Art in America (USA) January, 2004: 96.
O’Toole, Shane. “Art Meets Architecture in the Arctic.” Architecture (Ireland) Jan. 2004: 47- 49.
Pastorek, Norman J. “Toward a Global Beauty: The Art of Cai Guo-Qiang.” Archives of Facial Plastic Surgery. Vol. 6. (USA)
May-June, 2004: p. 149, p.216.
Riding, Alan. “The White Stuff” The New York Times (USA) Feb 29, 2004.
Riding, Alan. “A Frozen Landscape of Mysterious Designs.” The International Herald Tribune (USA) Mar. 2, 2004.
Rossi, Gregory. “A Crazy Idea Finally Has Its Day, and Artists and Architects Get to Play.” Interview (USA) Mar. 2004: 98.
Roux, Caroline. “Take to the Extreme.” The Guardian (UK) Feb. 28, 2004.
Rubinstein, Dan. “American Architects Glow in Finland.” House & Garden (USA) Jan. 2004: 94-95.
Ruutinrannanpui, Kemi. “The Snow Show” Frieze (London) May 2004: 100-101.
Sicha, Choire. “Art in Another Village” The New York Times (New York) Sunday, Dec. 12, 2004: AR46.
Sun, Ling. “Playing between East and West.” China Business News (China) Dec. 28, 2004: Cover, C3.
Tan, Eugene. “Taipei.” Contemporary (UK) August 2004: 24-25.
Tan, Eugene. “Review: Kinmen: Bunker Museum of Contemporary Art” Contemporary (UK) November 2004: 61-62.
Thompson, Henrietta. “Northern Explosure: Cold Play.” Blue Print (UK) Feb. 2004: pp8, 54-59.
Turner, Sarah. “Hot Happenings in a Cold Climate.” London Times (UK) Feb. 21, 2004.
Young, Rob. “Ice Gems.” The Guardian (UK) Feb. 12, 2004.
Wilson, Rebecca. “Power 100.” ArtReview (UK) November, 2004: 15, 90.
Wu, Hong. “Introduction to Cai Guo-Qiang Rent Solo-Exhibition and Art Activity.” TOM.COM (Internet) Dec. 21, 2004.
Wu, Yiching. “New Generation of Chinese Artists Accomplishment Win American Art World’s Applause.”
The International Chinese Newsweekly (Hong Kong) Oct. 31, 2004: 32.
Wu, Tiffany. “Taiwan, China Artists Bridge Political Divide.” The Daily Yomiuri (Japan) Sep. 16, 2004: A.
Yang, Grace. “Bunkers Now a Museum for All.” The China Post (Taiwan) Sep. 14, 2004: 10.

2003
Bauret, Gabriel. “Catastrophes en cascade” Art Aujourd’hu (Paris) Feb. 7, 2002
Blume, Mary. “Gunpowder and Art: Explosive Beauty” International Herald Tribune (Paris) Jan. 18-19, 2003: 18
Bynorth, John. “Blink and You’ll Miss the Fireworks” Evening Standard (London) Jan. 20, 2003: 23
Chiu, Melissa. “An Architecture of the Senses” Montien Boonma-Temple of the Mind (New York) 2003: 43
Chao, Hui-lin. “Old Chinese Dragon Kiln Transformed into a Japanese Art Museum” United Daily (Taipei) Jul.22, 2003
Chou, Dong-hsiao. “Amazement in the September Sky of New York” Artists Magazine (Taipei) Aug. 2003: 102-105
Cotter, Holland. “Small Shows, Big Ideas: Summer” New York Times (New York) Aug. 15, 2003: E27 & 29
Cotter, Holland. “Public Art Both Violent and Gorgeous” New York Times (New York) Sep. 14, 2003
Editor. “Cai Guo-Qiang”
Editor. “Cai Guo-Qiang-Repair Sky” Chinese Oil Paintings and Sculptures (Beijing) Jul.12, 2003: 36
Editor. “Cai Guo-Qiang-Free Captive Animals” Chinese Oil Paintings and Sculptures (Beijing) Jul.12, 2003: 37
Editor. “I Remember Venice” ArtReview (London) Jun. 2003: 48-49
Ho, Heather. “From to Beijing Tokyo Art Projects” Cans Art News (Taipei) Jan./Feb. 2003: 16-19
Hove, Jan Van. “Het Lam Gods op de roetsjbaan” De Standaard (Groot-Bijgaarden) Mar. 28, 2003: 13
Hyman, James. “Up In Smoke” Art Review (London) Apr., 2003: 62-63
Kennedy, Maev. “Setting Alight the Art World: Pyrotechnics at Tate Modern” The Guardian (London) Jan. 27, 2003: 9
Kang, Li-wen. “Prime Minister Expresses Support to Kinmen Bunker Project” Liberty Times (Taipei) Jan. 23, 2003
Kang, Li-wen. “Cai Guo-Qiang Explodes England, Ye Gong Hao Long” Liberty Times (Taipei) Jan. 23, 2003
Klaeui, Andreas. “Von der Katastrophe als der anderen Seite des Fortschritts” Das Feuilleton Jan. 7, 2003: 33
Laubadere, Bruno. “evenement” Architectural Digest (Paris) Feb. 2003: p142
Lee, Wei-jing. “Chinese Dragon Flies Across London on New Year’s Eve” China Times (Taipei) Jan. 23, 2003
Lee, Wei-jing. “Cai Guo-Qiang’s Giant Dragon Explosion Restaging in September” China Times (Taipei) Feb. 8, 2003: 14
Lin, Lucas. “Central Park Turns 150!” World Journals (New York) Apr. 30, 2003: C13
Lloyd, Ann Wilson. “The Art That’s Living in the House Hadid Built” New York Times (New York) Jun. 8, 2003: 29
Nuland, Sherwin B. “Artist, Heal Thyself” (and then Everybody Else) New York Times (New York) Jul. 6, 2003: 25
. “Hi-tech Halo to Mark Central Park’s Birthday” Nature.com Jul.21, 2003
Poshyananda, Apinan. “Cai Guo-Qiang” Art AsiaPacific (St. Leonards) issue 37, 2003: 76
Putnam, James. “The Way of the Dragon” Contemporary (London) issue 49, 2003: 44-47
Morel, Philippe-Marie. “Ce Qui Arrive” Art Press (Paris) Feb. 2003
Morozzi, Cristina. “Paul Virilio” Interni (Milano) Jan./Feb. 2003: 136-139
Sander, Mark. “Another Explosive Artist” Another Magazine (London) No. 4, 2003: 126
Tanabe, Chikako. “Igniting the Sky” Kateigaho International Edition (Tokyo) Inaugural issue: pp182
Tomkins, Calvin. “Light Show-Rocket’s Red Glare” New Yorker (New York) Sep.15, 2003:
Vanderbilt, Tom. “Playing with Fireworks: The Art of Cai Guo-Qiang” The Wall Street Journal (New York) Sep.11, 2003
Vogel, Carol. “Inside Art” New York Times (New York) Jun. 27, 2003: 26
Wittocx, Eva. “Cai Guo-Qiang ‘Zomaar een verhaal’” Kunst Nu (Gent) Feb./Mar., 2003: 2-5
Wu, Shi-hong. “Major Contemporary Art Exhibitions in London 2003″ Cans Art News (Taipei) Jan./Feb. 2003: 89
Yang. Nian-his. “Cai Guo-Qiang Ignites to Build a Pagoda for Paris” United Daily (Taipei) Jul.1, 2003: B6
Yu, Hsiao-hui. “Alors, le Chine?” Art Today (Taipei) Aug. 2003: 68-73,

2002
B., M.G. “Image Conscious” Metroland. 18 Aug. 2002
Banner, Mae G. “Jacob’s Pillow Honored for Dance Contributions” The Saratogian (Saratoga), 18 Aug. 2002
Bartelik, Marek. “Cai Guo-Qiang - Shanghai Art Museum” Art Forum (New York) Jun. 2002: 189
Bohlen, Celestine. “The Modern Moves With a Bang (Several)” The New York Times (New York) Jun. 26, 2002:E1, 8
Cai, Tang. “Cai Guo-Qiang Letting Fireworks Dance in the Sky” Modern Arts (Shanghai) Jan. 2002
Cavallucci, Fabio. “When Art Takes Part in Society” Work (Trento) No. 3, 2002: 11-13
Cerlani, Giulla. “Per Accidente, non per caso” Parigi 22 Dec. 2002
Cenci, Arianna. “Ho Fatto Crash” La Repubblica delle Donne (Milano) Nov. 2002: 59-62
Chang, Lee-hao. “The First Auction of Hong Kong Christie’s 20 Century Chinese Art” Art & Collection (Taipei) Apr. 2002:154-155
Chang, Vinci. “Quiet Explosion” Christie’s Magazine (New York) Mar. & Apr. 2002
Chao, Hui-lin. “Kinmen County Magistrate: BMoCA Has to Be Realized” ” Uxnited Daily News (Taipei) 17 Jul. 2002:14
Chao, Hui-lin. “Jai Shan Tunnel Will Turn into a Time Tour Movie Theater” ” United Daily News (Taipei) 16 Jul. 2002:14
Chao, Hui-lin. “Cai Guo-Qiang Busts the Big Apple Terrorist Nightmare” World Weekly (New York) No.956 Jul. 2002:29
Chao, Hui-lin. “Cai Guo-Qiang Busts the Big Apple Terrorist Nightmare” United Daily News (Taipei) 1 Jul. 2002: 32
Chao, Hui-lin. “Cai Guo-Qiang & Huang Kwang Nan Work Their Way for BMoCA” United Daily News (Taipei) 9 May. 2002
Chao, Hui-lin. “Rainbow Will Flow above Hudson River” United Daily News (Taipei) 30 Mar. 2002: 14
Chao, Hui-lin. “Cai Guo-Qiang Dreams of Turning Bunkers into Lover Hotels” United Daily News (Taipei) 30 Mar. 2002:14
Chao, Hui-lin. “Cai Guo-Qiang Praises Kinmen’s Beauty over Normandy” United Daily News (Taipei) 31 Mar. 2002:14
Charlesworth, JJ. “London: Royal Academy of Arts” Contemporary (London) Nov. 2002: 81
Chen, Hsi-lin. “Cai Guo-Qiang’s Solo Show Takes Shanghai by Storm” China Times (Taipei) 19 Jan. 2002: 14
Cheng, Da-hsing. “Tour Festival Will Separates from Art District” Kinmen Daily News (Kinmen) 31 Mar. 2002:1
Cheng, Nai-ming. “Is the Dragon Really Back?” Cans Chinese Art News (Taipei) Mar. 2002: 96-97
Chin, Ya-chuin. “Dragon Has Arrived!” Art & Collection (Taipei) Mar. 2002: 98-101
Chin, Ya-chuin. “Rambling on about Cai’s Artwork “Art & Collection (Taipei) Mar. 2002: 101
Chin, Ya-chuin. “Interview with Chao Li: Running A Good Gallery Is the First Priority” Art & Collection (Taipei) Mar. 2002: 104-105
Chin, Ya-chuin. “Why Are Taiwanese Collectors Partial to Cai Guo-Qiang?” Art & Collection (Taipei) Mar. 2002: 105
Daverio, Laura. “Esplosioni d’autore” Abitare (Milano) Oct. 2002: 149, 150
Editor. “Resuscitating a Tearoom” Pacific Friend (Tokyo) Aug. 2002: 17
Editor. “Arte pirotecnica” GDM arte (website, Italy) 29 Aug. 2002
Editor. “Cai Guo-Qiang, artista pirotecnico” Flash Art (Milano) No. 235, 2002: 50
Editor. “Shows and Events: Cai Guo-Qiang” Work-Art in Progress (Trento) No. 2, 2002: 77
Editor. “MoMAQNS Opens This Saturday” Chinese World Journal (New York) 27 Jun. 2002: C7
Editor. “Cai Guo-Qiang’s Solo Exhibit in Shanghai” Renmin Ribao (Beijing) 29 Jan. 2002: 12
Editor. “Cai Guo-Qiang’s Solo Exhibit in Shanghai” Guangming Daily (Beijing) 30 Jan. 2002: 2
Fei, Dawei. “How to Write an Arbitrary History” Art & Collection (Taipei) Feb. 2002: 59-61
Gibbons, Fiachra. “Tate Signs up Chinese Arts” The Guardian (London) Nov. 29, 2002
Genone, Paola. “Derriere l’invention” La Vie (Paris) Dec. 5, 2002
Gu, Mi Mi. “Installations, Novelty” Jie Fang Daily (Shanghai) 3 Feb. 2002
Hafner, Hans-Jurgen. “Malerei ohne Malerei” Kunsrforum (Leipzig) Apr.-May 2002
Hasegawa, Yuko. “Transcending the Time & Space, Roaring at the Universe” Art & Collection (Taipei) Feb. 2002: 46-52
Hashimoto, Mari. “A Spiritual Resonance Summoned by Chado” AERA (Tokyo) 20 May 2002: 88
Heartney, Eleanor. “Cai Guo-Qiang: Illuminating the New China” Art in America (New York) May 2002: 92-97
Ho, Chun-huan. “Cai Guo-Qiang Is Ready to March towards London” Cans Chinese Art News (Taipei) Sep. 2002: 16
Ho, Chun-huan. “Cai Guo-Qiang’s Solo Show at Shanghai Art Museum on February 1″ Cans Chinese Art News (Taipei) Jan. 2002: 22
Ho, Chun-huan. “Cai Guo-Qiang’s Rainbow Transient Explosion Project for MoMA Queens” Cans Chinese Art News (Taipei) May 2002, 16
Ho, Chun-huan. “Cai Guo-Qiang’s Phaidon Monograph Stands Out in International Publication Market” Cans Chinese Art News (Taipei) May 2002, 16
Huang, Bao-ping. “BMoCA Postponed” Ming Sheng Daily (Taipei) 17 Jul. 2002: A10
Huang, Bao-ping. “BMoCA Site Inspection Disappointing, Artists Eager for Answers” Ming Sheng Daily (Taipei) 16 Jul. 2002
Huang, Bao-ping. “BMoCA Is in Emerging Difficulties and in Need of Cai Guo-Qiang’s Persuasion Proposal” Ming Sheng Daily (Taipei) 12 Jun. 2002: A10
Huang, Bao-ping. “Cai Guo-Qiang Will Add Charm to MoMAQNS” Ming Sheng Daily (Taipei) 29 Mar. 2002: A6
Huang, Bao-ping. “Cai Guo-Qiang Explodes Kinmen?” Ming Sheng Daily (Taipei) 29 Mar. 2002: A12
Huang, Bao-ping. “Wanting to Turn Kinmen Bunkers into an Art Arena” Ming Sheng Daily (Taipei) 30 Mar. 2002: A13
Huang, Bao-ping. “Cai Guo-Qiang Encourages Kinmen to Play Bunker Card” Ming Sheng Daily (Taipei) 31 Mar. 2002: A6
Huang, Yuan. “M Meeting: Open Discussions on International Social & Cultural Issues” http://www.tom.com (China) 2002
Itoi, Kay. “Inside Cai Guo-Qiang” http://www.artnet.com (USA) 2002
Itoi, Kay. “The Art Island” ARTnews (New York) Mar. 2002: 109
Itoi, Kay. “Making a Splash” Newsweek (New York) 9 Oct. 2002: 76, 77
Itoi, Kay. “”Reviews: Hakone, Japan. Cai Guo-Qiang” Sculpture (Washington DC) Dec. 2002: 83
Jodidio, Philip. “Cai L’alchimiste.” Connaissance des Arts (Paris) Jan. 2002: 118-123
Jiang, Hongbing. “When Cai Guo-Qiang Is Back for His Solo Show?” Renmin Ribao (Beijing) 1 Feb. 2002: 15
Jiang, Mei. “Monthly Report from Shanghai Art World” Artists (Taipei) Apr. 2002
Jiang, Wei. “Unfolding Wild Flights of Fancy”. Art China (Shanghai) Feb. 2002: 36-37
Ju, Qing Sheng. “Epitome & Omen” Art & Collection (Taipei) Mar. 2002: 102-103
Ju, Qiang & Pu, Baoyi. “Cai Guo-Qiang-A Righteous Conspiracy” Nanfang Daily (Guanzhou) 21 Feb. 2002: 7
Kimmelman, Michael. “Queens, The New Modern Mecca” The New York Times (New York) 28 Jun. 2002: E31
Kan, Lee-wen. “Who Is Internationalized?” Liberty Times (Taipei) 18 Jul.
Kan, Lee-wen. “Strive for the Realization of BMoCA, Artists Are Driven to Conceive Projects” Liberty Times (Taipei) 18 Jul.
Kan, Lee-wen.. “Paperwork & Budget Not in Place, BMoCA Unpromising” Liberty Times (Taipei) 17 Jul.
Katai, Miki. “Cai Guo-Qiang’s CHADO Pavilion” PR Weekly (Tokyo) 27 May. 2002: 194
Kn?fel, Ulrike. “Die Rache der Kopfgeburten” Der Spiegel (Hamburg) 2 Dec. 2002: 198
K?ppel-Yang, Martina. “Revolt Is Reasonable: Remanifestations of the Cultural Revolution in Chinese Contemporary Art of the 1980s and 1990s” Yishu (Vancouver) Aug. 2002: 66-75
Lee, Wei-jing. “Cai Guo-Qiang Will “Burn” British Museum Next Year” China Times (Taipei) 18 Aug. 2002
Lee, Wei-jing. “The Big Explosion in Kinmen is not 823″ China Times (Taipei) 30 Mar. 2002: 14
Lai, Ting-heng. “Hu Yung-fen Quit the Kinmen Contemporary Art Exhibition” China Times (Taipei) 6 Apr. 2002: 14
Lee, Wei-jing. “BMoCA: Hopeful but Uncertain ” China Times (Taipei) 23 Jun. 2002
Lee, Wei-jing. “Kinmen Country Magistrate: We Must Realize BMoCA” China Times (Taipei) 17 Jul.. 2002
Lee, Wei-jing. “BMoCA Planning Premature, Future Uncertain” China Times (Taipei) 16 Jul.. 2002
Lee, Wei-jing. “National Museum of History Takes Over Kinmen Bunker Exhibition Project” China Times (Taipei) Apr. 2002: 13
Lee, Wei-jing. “Kinmem Bunkers: Full of Avant-garde Imagination” China Times (Taipei) 31 Mar. 2002: 14
Leydier, Richard. “Cai Guo-Qiang” Art Press (Paris) Jan. 2002: 81-82
Li, Qing. “From Shanghai towards the World” Xinmin Evening News (Shanghai) 2 Feb. 2002: 8
Li, Yao Lin. “Socialist-Realism Oil Paintings Revisited Beijing” Beijing Evening News (Beijing) 29 Apr. 2002: 59
Lin, Chien-hsiu. “Splendid Transient Rainbow - Cai Guo-Qiang Makes Wishes Come True” Chinese World Journal (New York) 30 Jun. 2002
Lin, Chien-hsiu. “Transient Rainbow Promotes MoMA Move” Chinese World Journal (New York) 29 Jun. 2002
Lin, Chien-hsiu. “Playful Sophistication-A Sketch of Cai’s First Solo Show in China.” Art & Collection (Taipei) Feb. 2002: 62-65
Lin, Chien-hsiu. “Novelty of Art That Heals Exhibition.” Chinese World Journal (New York) 13 Mar. 2002: C6
Liu, Hua. “Maksimov Paid Homage to Qi Bai Shi” Laodong Daily (Shanghai) 20 Feb. 2002:16
Mahler, Annemarie. “Die Welt Explodiert” Blick 11 Dec. 2002
Marti, Octavi. “Paul Virilio ‘Propongo un museo que mire al accidente cara a cara’” Arte 30 Nov. 2002
Mattei, Sandra. “Fuochi d’artificio. Ma sopra al cimitero” Giovedi (Trento) 29 Aug. 2002
MPU. “Explosive Premiere im Bilder-Museum” Leipziger Volkszeitung (Leipzig) Mar. 8 2002
Ni, Tsai-chin. “Cai Guo-Qiang’s Legend in Taiwan” Art & Collection (Taipei) Feb. 2002: 53-58
Pan. Ching. “Cai Guo-Qiang Breaks into Art Auction in New York”. Art Today (Taipei) May. 2002: 53
Pignatti, Lorenza. “Crash” Avanguardie Arte 1 Dec. 2002
Platt, Susan. “Reviews International: Vancouver” Art Papers (Seattle) Jan. /Feb. 2002:56
Polveroni, Adriana. “Ground Zero” Work: Art in Progress (Trento) Apr./May 2002: 8-16
Quattromani, Francesca. “Stasera I fuochi sopra al cimitero” Cronaca di Trento (Trento) 6 Sep. 2002
Riding, Alan. “When Technology Turns Against Itself” International Herald Trinue (Paris) Dec. 28-29, 2002
Schench, Sabrina. “Two Offerings by Cai” Work (Trento) No. 3, 2002: 8-10
Schulze, Franz. “A Collaboration in Concrete” Art in America (New York) Sep. 2002: 54
Sciaccaluga, Maurizio. “Lampi de gennio” Arte (Milan) Sep. 2002: 108-111
Shu, Ke Wen “Cai Guo-Qiang’s Firework and Art Exhibition” Sanlian Shenghuo Zhoukan (Beijing) 11 Feb. 2002: 110-111
Sun, Limei. “This is A National Piece of Work” Shanghai Evening Post (Shanghai) 2 Feb. 2002:1
Tan, Gen Xiong & Ge, Hong Bing. “Flatteries towards Imperialism?” Art China (Shanghai) Feb. 2002: p32-35
Tan, Hwee Koon. “Sparks of Genius” Design and Architecture (Singapore) No. 9, 2002: p82-85
Tong, Jinghan. “Maksimov’s Impact on the History of China Art” Art China (Shanghai) Feb. 2002: 66-71
Tracy, Allison. “At Jacob’s Pillow’s Doris Duke Studio Theatre, ‘/Asunder’ Looks through the Windows of the Soul” The Berkshire Eagle. 17 Aug. 2002
Virilio, Paul. “Inventer le naview, c’est inventer le naufrage, l’avion le crash, et le train, la catastrophe ferroviaire” Beaux Arts (Paris) Dec. 2002
Wang, Jie. “Artist Shares his Avant-garde Installations” Shanghai Daily (Shanghai) 6 Feb. 2002: 3
Wang, Lan-fen. “Kinmen Contemporary Art Exhibition Has Modulated” Ming Sheng Bao (Taipei) 4 Apr. 2002:A10
Ward, Ossian. “RA Modern: Sparks with Fly for the Opening of “The Galleries Show”, that takes the temperature of London’s Gallery Scene” ArtReview (London) Sep. 2002: 54-65
Wu, Hung. “Contesting Global/Local: Chinese Experimental Art in the 1990s” Orientations (Hong Kong) Nov. 2002: 62-67
Wu, Kin-tao. “The Royal Embraces the Commercial” Art Today (Taipei) Dec. 2002: p92-93
Xu, Wei. “Arguments Over Installation Art” Shanghai Morning Post (Shanghai) 1 Feb. 2002
Yang, Pei-hsin. “Cai Guo-Qiang Got it All: Kinmenite Artists Expressed their Discontent” Liberty Times (Taipei) 4 Apr. 2002: 40
Yang, Pei-hsin. “Cai Guo-Qiang Stole the Resource: He Monopolied Kinmen Contemporary Art Exhibition. Hu Yung-fen was Repressed: Art Arena Disappear in the Air” Liberty Times (Taipei) 4 Apr. 2002: 39
Yang, Pei-hsin. “Gunpowder Smoke Went off in Art Arena. It’s a Pity, said Cai Guo-Qiang” Liberty Times (Taipei) 6 Apr. 2002: 39
Yoda, Miki. “Tea Room, Neon Light and Cai Guo-Qiang’s Exhibit.” The Sankei Shimbun (Tokyo) 13 Jan. 2002: 13
Yoshihito, Horie. “Cai Guo-Qiang-A Chinese Contemporary Artist Who Studied in Japan, and Had A Solo Show in Shanghai” Asahi Shim Bun (Tokyo) 6 Feb. 2002
Yoshihito, Horie. “Cai Guo-Qiang-A Chinese Contemporary Artist Who Studied in Japan, and Had A Solo Show in Shanghai” Asahi Shim Bun (Osaka) 6 Feb. 2002
Zhang, Chao-hui. “Comparative Studies on the Artistic Executions between Xu Bin and Cai Guo-Qiang” Museum of Art (Guangzhou) No.3, 2002: 73-77
Zhang, Qing. “Glimpse of Cai Guoqiang’s Work” Art China (Shanghai) Feb. 2002: 30-31
Zhang, Qing. “History Challenges Reality” Dushu (Beijing) Apr. 2002: 12-19
Zhang, Qing. “History Challenges Reality” Yishu (Vancouver) May 2002: 52-59
Zhang, Wen Jing “Cai Guo-Qiang Goes Home to Set off Fireworks” Dongnan Zaobao (Quanzhou) Jan. 2002: 1
Zhang, Yvonne. “Artist Roams Freely in between” Shanghai Star (Shanghai) 7-20 Feb. 2002:25
Zhao, Ling. “A Contradiction-maker Who Plays with Fire” Shanghai Afternoon Post (Shanghai) Feb. 2002.
Zhong, Xi Min. “Cai Guo-Qiang-A Fujian Artist from Explosion” Fuzhou Evening Daily (Fuzhou) 13Mar. 2002: 7
Zhuang, Jin Quan “A Blink of Beauty” Quanzhou Wanbao (Quanzhou) 4 Jan. 2002
Zhuang, Li Hong “APEC Cityscape Fireworks Drawing Shown in Public” Quanzhou Wanbao (Quanzhou) 3 Jan. 2002: 1

2001
Buchloh, Benjamin H. D. “Control, by Design.” Artforum (New York) Sep. 2001: 162.
Chang, Tianle. “Dazzling Fireworks to Illuminate Sky.” APEC Today (Shanghai) 20 Oct. 2001: 3.
Chang, Tianle. “Masterminding the Rare Occasion.” Shanghai Star (Shanghai) 18 Oct. 2001: 4.
Chen Danqing. “Talk with Chen Danqing.” Art World (Shanghai) July 2001: 63.
Chen Yu. “It’s a Beautiful Night” Jiefang Daily (Shanghai) 21 Oct. 2001:1.
Cheng, Amy. “Performing Ink Paintings Reflecting Impressionistic Drawings.” Art and Collection (Taipei) Sep. 2001: 154-155.
Daverio, Laura. “Bebbre Gialla.” Artein (Venice) Apr./May 2001: 38.
Deitch, Jeffrey. “Form Follows Fiction” Flash Art (Torino) Dec./Jan. 2002: 69
Editor. “Asunder.” The New Yorker 21 May 2001: 12.
Editor. “Bonus Track.” Bijutsu Techo (Tokyo) Oct. 2001: 65.
Editor. “Cai Guo-Qiang’s APEC Fireworks Show Cannot Be Realized In Its Entirety.” Chinese Art News (Taipei) Nov. 2001: 10.
Editor. “Cai Guo-Qiang: Starting from Asia!! Cultural Melting Project for the New Century.” Bijutsu Techo (Tokyo) 1 Jan. 2001: 68-73.
Editor. “Frontline News: Venice: Cai Guo-Qiang Service for the Biennale.” Chinese Art News (Taipei) July 2001: 19.
Editor. “A Tour of 2001Yokohoma Triennial.” Bijutsu Techo (Tokyo) Oct. 2001: 42.
Engelhard, Gunter. “Auf dem Grenzpfad der Fantasie.” Art Das Kunstmagazin (Hamburg) Sep. 2001: 73.
Fang Zhenning. “Cai Guo-Qiang Shanghai APEC Cityscape Fireworks Showdown.” Artist (Taipei) Nov. 2001: 457-468.
Fang Zhenning. “Dissecting Cai Guo-Qiang’s Art.” Artist (Taipei) Nov. 2001: 456.
Fang Zhenning. “Mega Wave Towards a New Interfuse.” Artist (Taipei) Oct. 2001: 341.
Gan, Yifei. “Open Ends.” Jiangsu Art Monthly (Nanjing, China) June 2001: cover, 20, 21.
Garnett, Daisy. “How is Your Feng Shui?” Visuell: Deutsche Bank Art (Frankfurt) 2001: 17-20.
He, Chun-Huan. “October Shanghai APEC Closing Ceremony’s Multi-media Fireworks Explosion.” Chinese Art News (Taipei) July 2001: 14.
He, Haishuo. “The Perplexity of History.” Artist (Taipei) Oct. 2001: 284-285.
He, Zhengguang. “Shanghai APEC, High Tech Explosion Art for the Guests.” Associated Paper (Taipei) 17 Oct 2001: 14.
Ho, Hanru. “A Naked City.” Art Asia Pacific (Sydney) Issue 31: 60, 62.
Hong, Zhimei. “Fireworks On the River.” Freedom Times (Taipei) 12 Oct. 2001: 40.
In, Zhi. “Cai Guo-Qiang: Play Art Well” Art World (Shanghai) Nov. 2001: 8-15
Koppel-Yang, Martina. “Rebellion that Makes sense-A Magnificent Legacy” Avant-Garde Today (Tienjin, China) Issue 11: 215-216
Kourlas Gia. “Culture Club.” Time Out New York 17-24 May 2001: 97.
Laurence, Robin. “The Art of Illusion.” The Georgia Straight (Vancouver, Canada) 2-9 Aug, 2001: 45.
Li, Weijin. “Fire Burns Great Dragon Flying Over Shanghai.” China Times (Taipei) 15 Oct. 2001: 14.
Li, Xiangyang. “Cai Guo-Qing and Ni Tsai-Chin’s Collaboration in Tuscany.” Art and Collection (Taipei) Nov 2001: 169-169.
Lin, Lucus. “Cai Guo-Qiang: First Stage Design in 16 Years Showing Unique Style.” World Journal (New York) 19 May: 2001
Lin, Lucus. “Cai Guo-Qiang and Ni Tsai-Chin Collaborates Again.” Art and Collection (Taipei) Aug. 2001: 20.
Lin, Lucus. “Seven Chinese Artist’s New York Dream.” Art and Collection (Taipei) Sep. 2001: 67-68.
Liao, Chong Fang. “An Arbitrary History: Cai Guo-Qiang’s SoloExhibition at Musee d’art Contemporian de Lyon.” Artist (Taipei) Dec. 2001: 136- 143
Lou, Rong. “Cai Guo-Qiang Fires for APEC.” Shanghai Weekly (Shanghai) 4 Oct. 2001: A3.
Lou, Yu. “What a Beautiful Night.” Jiefang Daily (Shanghai) 21 Oct, 2001: 12
Lu, Jie. “The Chinese Heart Within the International Art Center.” Art and Collection (Taipei) Sep. 2001: 44.
Martinez, Rosa. “Eclosion Asiatica.” El Periodico Del Arte Feb 2001: 10.
Obigane, Akio. “Relaxing Amidst Contemporary Art.” Asashi Shimbun (Tokyo) 1 Sept. 2001: 12.
Qin, Yajun and Zhang Lihao. “Cai Guo-Qiang Explosive Power Cannot Be Stopped.” Art and Collection (Taipei) Nov. 2001: 150-152.
Tasch, Stephanie. “Shanghai Biennale.” Asian Art (London) Jan 2001: 8.
Wang, Nanmin. “Shanghai Art Museum Should not Become a Problem Point that Western Hegemony Places in China.” Chinese Art News (Taipei) No. 40 2001: 93.
Watari, Izuko. “Interview with Harald Szeeman.” Bijutsu Techo (Tokyo) Sep. 2001: 51.
Yang, Liu. “Shanghai Awaits a Splendid Opening.” Youth Daily (Shanghai) 13 Oct. 2001: front page, 4, 5.
Yang, Shiying. “Century Stranger.” Selected Wroks of Taiwan Hong Kong Literature (Fuzhou, China) No. 3 2001: cover, inside covers, 37-43.
Yu, Hsiao-Hwei. “Shanghai Biennale Opens the Door for the possibility of Contemporary Art to Exist Normally in China.” Chinese Art News (Taipei) No. 40 2001: 90.
Yu, Hsiao-Hwei. “New Chance for Japanese Contemporary Art?” Art and Collection (Taipei) Oct. 2001: 75.
Zhang Hong, Zhang Yu & Yu Liang Xing. “Shanghai Blazed for the World” Xinmin Evening News (Shanghai) 21 Oct. 2001
Zhang, Qing. “Back Home the Dragon” ArtChina (Shanghai) Dec. 2001: 68-75
Zhao, Feifei. “Brighten the Sky, and Lighten the Hearts” Shanghai Daily (Shanghai) 20 Oct. 2001
Zheng, Huihua “Two-sided Cai Guoqiang” ArtChina (Shanghai) Dec. 2001: 76-79
Zheng, Sheng Tian. “The Plateau of Human Kind, Has China R